Portrait of a Filipino Jazz Musician

  I first heard Ryan play the keyboard at Tago Jazz CafĂ© in Metro Manila, where he performed with his trio and with other groups, then later at the Ayala Museum. His work made me an instant fan, I think in part because of our love of Keith Jarrett, who speaks of improvising one note at a time. Ryan and I share a common view of inspiration, or, as my favorite music critic, Alan Rich, wrote decades ago in New York magazine, “I am neither a church-goer nor an atheist, and the reason I am not the latter can be …

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