Portrait of a Filipino Jazz Musician

  I first heard Ryan play the keyboard at Tago Jazz Café in Metro Manila, where he performed with his trio and with other groups, then later at the Ayala Museum. His work made me an instant fan, I think in part because of our love of Keith Jarrett, who speaks of improvising one note at a time. Ryan and I share a common view of inspiration, or, as my favorite music critic, Alan Rich, wrote decades ago in New York magazine, “I am neither a church-goer nor an atheist, and the reason I am not the latter can be …

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